No, not body art.

There are no tattoos in this post…(I know! GASP! Shock horror!)

This mainly pictorial post looks at the body IN art.


I came across these images as I was sourcing some image inspiration for my upcoming shoots (my first photo shoot is next week!)


And then I came across these images from TheMagazine.Us. They look into the works of photographer Alex Brunet and how ‘rather than focusing on the beauty of the human body alone, Brunet juxtaposes each shot…with a true landscape or view of nature’.

Raw, intriguing, provocative, stimulating.

Take a look…

L-O-V-E this work.

True inspiration.

♥ Bec


Retail and Media Research

As part of the customer profile research for Assessment 3, we are required to look into the areas of interest of our main customers. The idea behind who our main customer is and why they are targeted as our main customer has more to do with his/her beliefs, values, opinions, behaviours and lifestyle choices than merely just where they live or what they wear.

As I’m compiling my media kit for Assessment 3 of Research and Conceptualisation, I’ve been looking at competitors and nutting out my target market together with my demographics and main reader. Through this process, I have been able to really understand who my customer is and WHY, which has then helped me in writing the customer profile for this Professional Practice subject. This task asks us to really try and nail the MAIN customer for our projects based on evidenced research of the market.

I have been researching various media kits for different publications and have been going through various blogs, international and local magazines, online stores and media outlets that my customer would frequent.

In terms of Australian Stores I believe my customer would visit, I’ve chosen

  • Capital L: According to it’s website, ‘for the past 10 years Capital L has been a pioneer of boutique Australian fashion, selecting the most amazing creations from the best of our emerging designers, alongside an array of well established Australian and New Zealand labels’. I think my customer would frequent Capital L because my customer is interested in supporting new Australian talent, doesn’t care for following trends and would rather wear garments that are individual and can be styled according to their aesthetic.
  • Magnation: According to Magnation’s website, they are the ‘magazine specialists…also serv[ing] amazing coffee as part of our browse and relax philosophy.’. The store stocks over 4,000 magazines from around the world and are dedicated to showcasing niche magazines as part of their collection of mags. I know my customer would be interested in frequenting Magnation has it is a haven for the magazine addict!
  • Alice Euphemia: On Melbourne’s Swanston Street lies the one and only Alice Euphemia. Stocking only products made AND designed in Australian and New Zealand, Alice Euphema ‘prides itself on bringing you the best of  the local scene.  The jewellery is made in limited production – handmade and often a one off piece. Fashion labels are sourced from all over Oz.’ Like Capital L, I know my customer will relish the delight of home-grown Aussie talent and be inclined to support these emerging artists and designers in whatever way possible.

Regarding International/Online stores I believe my customer would visit:

  • The Strand Book Store, New York: The Strand Book store is New York City’s legendary home of 18 Miles of new, used and rare books, since 1927. I believe my customer would visit this international store because of its authenticity and unbelievable amount of resources. It is a joy to visit in the flesh, but no doubt that my customer will be perusing the online store.
  • The Museum of Modern Art in New York: I think my customer would frequent art museums any chance they had, but particularly the Museum of Modern Art. At the moment, there is a Cindy Sherman exhibition showing, and I know that my customer would be wanting to see this exhibition. According to its website, ‘The Museum of Modern Art seeks to create a dialogue between the established and the experimental, the past and the present, in an environment that is responsive to the issues of modern and contemporary art, while being accessible to a public that ranges from scholars to young children’.
  • The Tate Modern in London: As with the MoMA, I believe my customer would visit modern art galleries regularly. The Tate Modern in London is currently showing the first major Damien Hirst exhibition in the UK, (I’ve featured Hirst on my blog before) –  an incredible artist and photographer who has been an inspiration to me and my work. I think my customer would thoroughly enjoy the Tate Modern and viewing exhibitions from artists of such a caliber.

Regarding media my main customer would read, I believe they’d purchase:

  • Purple Fashion Magazine: Purple may be a competitor of mine, but I believe that my customer would read the bi-annual French magazine which was launched in 1992, because the publication targets individuals who are not interested in mainstream and commercial ventures, but rather, those who are excited by new and artistic visions of creative innovators. Since its inception, the magazine has continued to support new artists, photographers and designers and editor Olivier Zahm constantly pushes the boundaries, creates an artistic standpoint and aims to present an edgy view of contemporary fashion with a non-commercial approach. My main customer would view this magazine as a source of inspiration and as a new and innovative expression of fashion in an industry that has been taken over my many mainstream alternatives.
  • A Magazine: Whilst A MAGAZINE may be another competitor of mine, this biannual publication has become seen as more of a collector’s art book than a magazine. Each issue explores the creative mind of a designer as they are asked to ‘curate’ the publication. Each issue is in line with the chosen designer’s style and aesthetic, as personalised content celebrates the foundation of their practice. A MAGAZINE is a unique niche product where artistic content is fused with opportunities for collaborators, as their website concurs, ‘enabling the production of site-specific content that goes beyond common commercial restrictions’. Targeted towards individuals who are interested in art, culture and fashion, A MAGAZINE presents personal accounts from artistic and inspiring minds, in response to society’s rapid descent towards becoming part of ‘an increasingly homogenous industry’, and this is an area of interest that I believe my customer would be interested in.
  • The Fashion Theory Journal: I wouldn’t place The Fashion Theory Journal as one of my competitors, but I do feel as though my customer would look to this journal as an intellectual source of fashion-related information. According to its website, Fashion Theory ‘takes as its starting point a definition of ‘fashion’ as the cultural construction of the embodied identity…Fashion Theory provides an international and interdisciplinary forum for the rigorous analysis of cultural phenomena…’. I think my main customer would look to Fashion Theory as a really interesting and thought-provoking publication, and one that can be seen as a resource for many years to come.

Until next time…

♥ Bec


Taking a Bite Out of the Niche Pie!

So…I’m a bit of a niche magazine junkie.




I think there’s something quite unique about having a publication, or any sort of art form, that is so specific, that you know EXACTLY who your reader is, why they’re reading it and why they’re continuing to buy it.

I’ve been doing a lot of research into niche publications in relation to forming my customer profile and how these publications hold themselves in the marketplace compared to commercial publications. I think this research has really helped me identifying why it is that individuals buy niche publications and why it is that such publications are actually revenue raisers, more so than commercial fashion mags.

I’ve found some really great quotes from professionals, stating that niche publications are here to stay.

Siddhartha Vaidyanathan from Medill Reports Chicago writes that: “Analysts say specialization may be the key to surviving in the magazine business.

 ‘In the case of trade or technical magazines, you’ll usually find ready advertisers, especially if they are directly linked to the focus of the magazine,’ said Jim Gross, an analyst for Chicago-based Barrington Research. 
’That’s what’s called an endemic advantage.’ ”

Further, Adam Gray of Fairfax Media Publication Solutions says that “niche publications serve a highly targeted and pre-qualified group of people, providing quality information that fills a need for readers. And it is this quality and well presented information that is at the core of their circulation success.”

But I think Barry Silverstein from Brand Chanel sums it up best. He says: “perhaps what’s most remarkable about niche magazine brands is their ability to serve extremely narrow audiences and still survive. Niche magazines offer intimate, focused and thoroughly vetted brands because—via specialized content, design and brand promise—they appeal to the specific values of limited segments of people. This sense of exclusivity creates a tight bond—more so than with larger, more generalized magazine brands. In fact, the Publishers Information Bureau indicated a nearly 12 percent decline in US magazine ad pages in 2008—but niche magazines such as Organic Gardening and Technology Review had ad page increases of more than 25 percent each.”

As I construct my customer profile and as I move forward with my major project work, the idea of my publication as this niche magazine, is something that is so important going forward.

There IS a market for it.

It’s just about tailoring the publication to suit that target market and ensure that it fills the void in the market that customers feel.

Until next time…

♥ Bec




Customer Profiling

Over the past week in class, we have been given the task of Customer Profiling. The aim of this exercise is to clearly communicate who our customer is for our project, based on evidenced research of the market we are positioning our work in.

I started jotting down some characteristics of the type of customer I think would want to buy my publication. The trick to nutting out who my customer is, is to really be able to get into the mindset of this person, remembering that you need to realistic in doing so. The ideal customer is NOT the muse for my publication but rather, someone who would also be INSPIRED by my muse or aspects of her being.

Here are a few key points that I have come up with, in relation to who I believe would be the main customer for my publication:

  • My customer is intellectual
  • My customer is tertiary educated
  • My customer likes to read – primarily intellectual/theoretical works.
  • My customer interested is in being challenged
  • My customer is interested in visually captivating material
  • My customer is knowledgeable about theoretical works and conceptual understandings
  • My customer is artistic and has a love of the art world
  • My customer is willing to explore and push the boundaries
  • My customer is interested in the body and its transformative capabilities
  • Financially, my customer has a single income of more that $60,000 year

The above points are just initial ideas in relation to placing my ideal customer in a context, but there are a lot more issues surrounding WHO this person is and WHY this specific person would be inclined to buy my publication.

Whilst I collate all my research, I thought I’d post a few links to a couple of different websites/blogs that I think my customer would frequent. The following are more pictorial related than written content related. Take a look below….

I came across this blog – High Heels and Hangovers – whilst in my quest for the type of style and aesthetic I wanted to portray throughout my blog and I think it has some really great imagery, from all over the globe, and with a slight sense of grunge attitude attached to it. This sort of tumblr blog is a site I think the younger demographic of my target market would frequent regarding visual imagery.

A peer showed me this blog – Baldauf – which documents the works of German photographer Joachim Baldauf. His works are more than just fashion photography and culture. The images shown present the human being in a very subjective way and the vulnerability of the body portrayed throughout this blog is something I believe my customer would be intrigued by.

Here are a compilation of some of my favourite images from the above mentioned blogs.


There is a lot more research regarding my ideal customer, but I thought I’d give you all a little taste of what’s to come by showing you the above stages of my customer profiling.

: My publication is not gender specific. The themes relating to the relationships amongst fashion, the body, art and the construction of the Self are applicable to both genders. The theoretical basis of the publication is also widely received by both genders. In saying this, I would assume a 70% female to 30% male ratio readership, based on my research.

Age: My publication is targeted towards those aged been 22-60 with the greatest readership age lying between 22-40.

Education: As the publication is founded upon theoretical viewpoints, the reader is intellectual in their approach to fashion yet excited to explore conceptual understandings regarding the connections between fashion and art. The reader is well educated in the art world, willing to push boundaries in the fashion world and eager to uncover the intangible force inextricably linking the two. As the project is an intellectual publication, it is assumed that those who have completed a tertiary level of education undertake the majority of readership.

Generation: Generation X is commonly associated with creating a self-sufficient culture as they balance their personal wellbeing with wider social concerns of family, community and work whilst Generation Y experienced pressure from parents to succeed and overachieve, resulting in an abundance of money being spent on their education. Both Gen X and Gen Y would be the main consumers of my publication as they understand new media and are willing to branch out to uncover new meanings associated with complex ideas.

Region: Richard Floria, an American urban studies theorist, coined the term “creative class”. His theory asserts that there are creative areas around the world where creative people live. With this theory in mind, it is hoped that my publication will appeal to many creative cities worldwide. Within these cities, “pockets” of creative individuals will look to my publication as an innovative, unorthodox and provocative magazine, both exploratory in its approach to presenting theoretical fashion viewpoints in a contemporary and engaging way, and, in engaging with artistic visions and 20th century sociological ideas.

Stay tuned for more customer profiling!

♥ Bec


Interview with Gabriel Lee for On The Streets Of Sydney

Hey Everyone,

As the semester draws to a close, we’ve been speaking a lot in class about what jobs await us after graduating university. To be able to have a portfolio, rich in content and portraying who we are in the fashion world, is just so important.

I know I want to be a part of the fashion media world so I continue to work as hard as I can and I inch towards this dream, each and every day.

For the past few months, I’ve been the Junior Features Editor for On The Streets of Sydney and here is the latest feature article by moi! I sat down one-on-one with fashion designer newcomer, Gabriel Lee.

Photography: Jessi White

Hope you enjoy!

♥ Bec


Whitney Eve at MBFWA

Hey Guys,

Check out my latest feature article here for PAPERDOLLS STYLE INTERNATIONAL.

This is my first piece of published work on an international fashion website, so I’m pretty thrilled!

Whitney Port’s debut at MBFWA had all the media in a frenzy! Calm, cool and collected, Port showed off her two signature lines – her feminine and flirty aesthetic definitely shining through.

So please take a look – would love to hear your comments!

♥ Bec



Morphosis – The manner in which an organism or any of its parts changes form or undergoes development.

My research for my publication is continuing to grow and, with each burst of new creative energy, innovative ideas are brought to the fore.

Thinking about make-up as a commonplace, everyday item, I began to dig deeper into uncovering what it is that makeup seeks to achieve. I started thinking about makeup as a masquerade; how individuals adorn themselves as beauty works, to transform, remake and re-present their bodies and faces as new representations of the Self start to form.

I came across this fantastic blog for the New York times, where models were photographed before the makeup had been adored on their faces for the runway shows and then photographed again, once the look had been complete. Showing this transformation on ONE person has further inspired me to look deeper into cosmetics as a way in which to transform the body and how the surface of one’s body has now become a canvas within the realms of our varied notions of beauty.

Take a look for yourself below…masquerades on display?

♥ Bec


Miss Unkon MBFWA Review

Hey Guys,

Check out my latest feature article here for On The Streets of Sydney.

Last week, the team and I at On The Streets Of Sydney (I’m the Junior Features Editor), covered all the glam and goss that is Fashion Week!

The Miss Unkon show was beautiful and I wrote a review of the Spring Summer 2012/13 collection.

So please take a look – would love to hear your comments!

♥ Bec


Branding and Aesthetic

When I was researching for Assessment Task 2: Professional Practice, it became evident that every designer, brand and company has its own style and aesthetic which is then shown to the customer in various ways. When I was profiling the 6 emerging designers, it was interesting to note their differing style aesthetics which were prominent throughout each of their individual collections. Though their inspirations changed for each season, their brand aesthetic and narrative remained the same as the foundation upon which the ethos of the brand is built.


Christopher Esber Spring Summer 2010


Lui Hon Estherian Collection


Limedrop AW12 Collection The Adventure


Friend of Mine – The Charmers Collection


Above. Label AW 2012 – A Study in Collaging Structures


Magdalena Velevska Spring Summer 2012/13 Collection

In class this week, we looked at the importance of a strong CV, portfolio and overall brand aesthetic. For Assessment 3, we will be asked to present a mini-folio presenting a compilation of works which best highlight our abilities in our fields of expertise. For me, I want my portfolio to really highlight my strong point of differentiation which are my fashion journalism and writing skills intertwined with my innovative styling work, my digital capabilities in Photoshop, Illustrator and InDesign, as well as my fashion design, illustration and drawing techniques which will showcase my skills in a variety of areas.

Here’s a little flashback of my Dress, Body Couture dress which was photographed in a shoot. I might just include some of this…

Photography: by Jennifer Chua
Model: Adele Thiel
Designer: Rebecca Glaser

Whatever I choose to include will be presented in line with my individual design and brand aesthetic so as to create cohesion and a definitive idea of what I have to offer.

♥ Bec